Dwelling in the Fuchun Mountainswas later praised as the “painting of the Orchid Pavilion,” where “Orchid Pavilion” refers to Wang Xizhi’s Preface to the Orchid Pavilion Gathering.
Observation and Embodiment in Chinese Landscape Painting(中国画学·中国山水画的观物与体象)
章节列表
山川胸襟—范宽《溪山行旅图》的传承与拓展Mind of Mountains and Rivers: The Continued Tradition and Expansion of Fan Kuan’s Travelers by Streams and Mountains7笔尽意远—夏圭《溪山清远图》的传承与拓展Profundity within the Brushstroke: The Continued Tradition and Expansion of Xia Gui’s Pure and Remote View of Streams and Mountains7游目骋怀—黄公望《富春山居图》的传承与拓展Traveling to Open up the Mind: The Continued Tradition and Expansion of Huang Gongwang’s Dwelling in the Fuchun Mountains7落墨写心—王蒙《青卞隐居图》的传承与拓展Painting Directly From the Mind: The Continued Tradition and Expansion of Wang Meng’s Seclusion in the Qingbian Mountains7