简答题\n 不同的描法适用于表达不同衣服的质感、不同人物性格身份 Different drawing techniques serve to represent different textures of clothing and personalities of the figures.\n简答题\n 吴道子从观看公孙大娘舞剑获得线条表现的灵感 Wu Daozi drew his inspiration of line drawing from Lady Gongsun's sword dances.\n简答题\n 高古游丝描又称春蚕吐丝 rchaic gossamer line is also known as silkworm spinning threads. \n简答题\n 战笔描代表作有周文矩《重屏会棋图》、梁楷《八高僧图卷》 The tremulous line is represented by Playing Chess by Double Screens by Zhou Wenju and Illustrations to Events in the Lives of Eight Famous Monks by Liang Kai.\n简答题\n 吴道子的用笔不同于当时世俗流行的画风 Wu Daozi's brushwork did not follow the norm of his day. \n简答题\n 宋代李公麟从白画的画稿中发展出素淡的白描 Li Gonglin of Song developed the simple and understated plain drawing from the sketches of white paintings. \n简答题\n 吴道子为唐代画家，被称为画圣 Wu Daozi lived in Tang dynasty and was acclaimed as Painter Saint. \n简答题\n 高古游丝描特点线条纤细、循环往复、绵延不息 The archaic gossamer line is slender, circular and continuous. \n简答题\n 铁线描线条纤细、循环往复、绵延不息，代表作北齐杨子华《北齐校书图》、唐阎立本《历代帝王图》《步辇图》 The iron wire line is slender, and moves in a circular and continuous manner, represented by Northern Qi Scholars Collating Classic Texts by Yang Zihua of Northern Qi, Thirteen Emperors Scroll and Emperor Taizong in a Sedan Chair Greeting Three Envoys from Tibet by Yan Liben of Tang. \n简答题\n 现传《道子墨宝》为唐代吴道子原作，本是佛教壁画的画稿 The extant Ink Treasure of Wu Daozi was an original work by Wu Daozi of Tang, and a collection of sketches for Buddhist murals. \n简答题\n 李公麟《五马图》的描法以琴弦描为主 The principal technique used in Li Gonglin's Five Tribute Horses is zither string line. \n简答题\n 唐阎立本《历代帝王图》《步辇图》采用行云流水描 Yan Liben of Tang used the scudding-cloud-and-running-water line in Thirteen Emperors Scroll and Emperor Taizong in a Sedan Chair Greeting Three Envoys from Tibet. \n